Compressor may lack character for some applications. Unlike normal enhancers, this one tracks the gain reduction to add more enhancement during times of heavy compression. Further switches are provided to monitor the compressor side-chain and to switch to an external side-chain input signal. This meter also registers any gain reduction due to limiter operation.
|Published (Last):||19 December 2017|
|PDF File Size:||7.1 Mb|
|ePub File Size:||10.82 Mb|
|Price:||Free* [*Free Regsitration Required]|
It has a compressor—plus a voice-adaptive de-esser, a new dynamic enhancer, authentic tube emulation and more. This compressor can give you control over your mixes, mastering, or recording. Switchable tube simulation for the warmth classic tube. You can automatically or manually adjustable attack and release times.
This uses digital tech, and simulates tubes. I think it works the best on the vocals. Easy to use and follow. Just plug in and sing with the gate and limiter set. It has two main channels with XLR and quarter inch inputs and outputs.
The attack time and release time can be set on automatic or manual by 0. You dealing with frequencies and that sometimes are hard to follow. Main frequency 0. The limiter and gate are easy to use. You just play around with the device until you get what you want. You want some response time in your vocals but enough to cut off after your phrase. It helps a lot in the feeling and style of the recorded audio.
Gives you that commercial cut-off sound. You could use in live venues for sure. You always see tons of rack crates with gear in it at shows and let me tell you, they are heavy.
Forget trying to pick one up. They must have rollers on the bottom, but the sound in this unit comes out clear and clean. You always have to adjust the EQ of the instrument or vocals in your recording software.
Good sound for a low priced item. Meets commercial recording quality. I use one or two general settings to get the right sound. There is always a few tweaks here and there. It is a lower model but puts out a decent sound. I would buy another compressor for every instrument.
This unit is made well. All steel. This item you can tell is put out quick but it does not seem to make a difference. I have a 2nd to compress the overall mix. It is neutral and is suitable for the compression of sound. It also provides a circuit for simulating a sound "tube". In fact it is just a little digging in the upper midrange EQ to get a more "sweet".
The effect is to forget as it distorts the signal.. One can only regret the choice made by using potentiometers Berhinger notched prohibiting any fine tuning is done.. The peak is very limited way to stay cool the Shadocks return for revenge. De-esser is to forget as it hurts his work, and approximate compression for all frankly unusable! To summarize the compressor does not break the bank its main asset , but as soon as possible go to the higher speed! The build quality is exemplary for the price, the settings are complete, the connector also SOUND QUALITY The snobbery of some of them from being objective and I who have old dpr bss , I am often amused to be lacking some of my friends who swore by the poor sound quality of this compressor behringer wrongly and badly taught them about how they see things!
Outside of electronics, is the onscreen user settings and choose who he will make a difference for a particular application. Personally, for the use I make known to the speeches stirred at parties weddings or other device that makes me a great service to provide a clean, well-packed lined with large "silent" thanks to its gate which saves me a lot of feedback! A default in the manufacturer: the spacing of the knobs and the fragility of those it 2 of 2 people found this review helpful Did you find this review helpful?
All user reviews for the Behringer Composer Pro-XL MDX2600
Please select a division you are interested in:
Behringer Composer PRO-XL MDX2600 User Manual